I am not sure why this morning I notice the angling of my daughter’s cheek, the lengthening of her legs, the blond softness adorning my son’s upper lip.
But I do, and it tastes like good coffee, sweet and bitter.
The espresso machine wakes up louder than me; with a shudder, the boiler warms water, steam pops the filter, a low-pitched whine, and coffee streams with a hiss into waiting white cups.
Work finished, the lights blink off into daytime slumber.
I cup the morning quiet much as I hold my breath on the inhale: close, rare, anticipating opening doors, feet on stairs signaling the slide to the day.
Fog settles, Cotton batting over crushed peanut shells, chicken bones gnawed to marrow, bottle caps and cigarette nubs, ash ground into asphalt cracked and broken, cardboard sheets propped against the alley wall, one man’s home.
My daughter screams her frustration. Adrenalin pounds against my ribs, small fists, and something inside of me almost snaps. Almost. But I swallow and swallow until those fists melt and all that remains is my heart beating, a hummingbird’s wing.
Mid-afternoon. We talk of graphs and data points, quadratic terms and p-values. Hands cover yawns, remnants of the last meal, then push back sweater sleeves to expose time passed.
The box passes around the table, empties, little cupcake liners filled with treasure balance atop notebooks.
Sugar powders upper lips smiling through bites of relief.
****
(Thank you Kal and Kremena for the lovely new year present).
Inside, we on the floor snuggled among pillows and fleece, the cat curled under tented knees. Television sheds the only light. My hand circles my daughter’s belly, good-luck Buddha.
The yoga studio floor chills. Above, squirrels clatter on the roof. I pull blankets over me their scratchy yarns itch my neck. Minutes pass, the plaintive wailing of the flute, the whale sounds irritate, my belly has no room for my breath, But I breathe, breathe, anyway, find the rhythm, and the cold, the animals, the music disappear.
The table groans: herring three ways, smoked salmon, hardtack and rye bread, beet salad and pickled onions, meatballs simmering in the crock pot, ham and the sharp tang of cheese. Laughter and talk fill the air, escalating as the pot of glogg reduces, and as my guests make merry, I remember my heritage, my grandmother’s smorgas, the relatives drawn from miles around, the children at the children’s table, my mother’s face pink with happiness.
It seems fitting, somehow, today is her birthday. Skaal, Mom. Skaal.
He stood on the corner by the 7-11 hands held out, one gloved, fingertips cut out, the silk white against his ebony wrist, the other palm bare and honest.
He asked, close to baritone, “Spare some change?” I gave him my stock answer, wishing this once I truly did own a quarter or two to press into that hand of grace, to earn his blessing “beautiful” left in my wake.
This morning treading down the stairs before the sun rose, the house cast dark as a starless night, a hole to never, a page filled with black pastel, until I turned to the kitchen and through the window, the moon, luminous, washed the rest of the world in pearly splendor.
Sunlight filters through the sanctuary window. When my teenage son passes, the light plays on his face and billowing blond hair in such a way that, for an instant, he appears ethereal.
My writing space inspires me: a paper mache sculpture made by my daughter, my son’s baby picture in a Winnie-the-Pooh mug, stationary from Florence edged in Paisley, three dictionaries, multiple Moleskines, a post-card from Charles Baxter, a print of Three Cautious Crows from an artist friend, the We Can Do It mug filled with assorted pens and pencils, the desk tucked into the bay, looking out to three redbuds, bare-limbed now but which promise pink beauty in three months.
In writing my character Ben I realize after spending six years with him he has become more of me and I of him.
***
I have spent the past 3 days rereading my first novel BRIGHTER THAN BRIGHT, reconsidering how many voices to present, and in this close reading I have learned so much: about myself, about Ben, about this story and what it means.
A novel is never finished. And that's okay. Peace...
Sitting at the computer wondering what to observe with quiet contemplation my son finds the beat: the keyboard sings a steady drum, my girl improvs along the upper register plaintive minor keys the Epiphone riffs some place between jazz and grunge, the room explodes.
The water frozen in the cracks of this worn asphalt road glints in the sun, reminding me of Japanese potters who stuffed gold into the cracks of pots which surrendered to the kiln’s heat, reminding me of my own flaws needing tending.
Leaves cling stubborn to bare limbs veins trace rivers through tea-stained parchment translucent against the wan winter sun beige ghosts of crimson glory the furled fists rustle, chimes in the winter wind
The day breaks shiny and new. Hoar frost glistens, yielding to the sun’s light. Trees throw bare branches into crystalline blue as if to net a bird. Inside, all sleep but me, the quiet broken only by the refrigerator’s hum, the meowing of the cat waiting to come in.
***
Today marks the beginning of A River of Stones. A month of close observations, of discovering the essence of being. Each observation written, a single small stone which joins the river.